2018 Awards Eligibility Post

First of all I just noticed how long it’s been since I’ve posted anything here, and I’m fighting hard not to feel great guilt or at least chagrin. 2018 brought some huge personal challenges that included mental and physical health issues — both of which have gotten worse and not better. (I’m working with several doctors to turn that around, but so far it’s not really happening.)

Anyway, despite all that, I managed to have a pretty productive year in the world of podcasting, and I’ve got a bunch of stuff that is technically eligible for awards. I don’t actually think most of these warrant nominations, and some of the ones I *do* think are worthy are exceedingly unlikely to be recognized, but that is not really the point of this. I encourage you all to go read Melissa F. Olson’s Awards Eligibility Post and take special note of the bit where she talks about why these kinds of posts are important. Those thoughts are as applicable to podcasters as they are to writers.

So without further ado, here’s the list!


Uncanny Magazine is eligible for the Hugo Award for Best Semiprozine.


Everything else I do (unsurprisingly) falls into the Hugo Award category for Best Fancast:

Verity! – My first podcast, in which 6 women, in 5 time zones, from 4 countries, on 3 continents, in 2 hemispheres, talk about 1 thing: Doctor Who. (We’ve been nominated twice before, and it was a huge honour.)

Lazy Doctor Who – My spouse, Steven, and I are making our way through “the pilgrimage” — watching every episode of Doctor Who in order. And we’re podcasting about it. It’s “lazy” because we do it from our couch and only do it when we have time and feel like it.

The Audio Guide to Babylon 5 – I am so proud of this podcast, which Chip and Shannon Sudderth and I completed in 2018. We watched the whole five-year arc of Babylon 5 and did a podcast episode about each episode. It makes me feel all fuzzy to look back and see what we accomplished together.

In The Village – This is another “completed” podcast effort. Steven and I watched all 17 episodes of The Prisoner to celebrate its 50th anniversary. We did not agree on many things, but we had a grand time doing it. I have never fallen in love with a tv show harder and faster than I did with The Prisoner so it was sheer delight to do a podcast about it.

Earp Chirp – in 2018, my Albertan pals Annette and Kirsten and I launched this podcast devoted to Wynonna Earp, a show that is both shot and set in our home province. It’s a loose, instant-reaction-style podcast recorded on the same couch used for Lazy Doctor Who. In addition to our general observations, we comment on the accuracy (or inaccuracy) of the Albertanisms on the show. It’s important to note that Steven is our Crackerjack Producer.


I also contribute frequently to a couple of podcasts that are also eligible in other(?) Hugo categories:

The Incomparable Jason Snell has brought together a fabulous crew of geeks to talk about many geekalicious topics, from books to tv to movies to comics to video games to music to board games to…Thanksgiving dinner? I’m one of the most frequent panelists on the show, so it would be cool to see it get a nod. I’m pretty sure this would fall under Best Related Work, as I think it’s not eligible for fancast due to financial restrictions.

Total Party Kill – This D&D podcast on The Incomparable Podcast Network sees some of the panelists play a variety of tabletop roleplaying games. I’m on nearly all the episodes, and I edit lots and lots of them, so I spend a lot of time and effort and love on this one. I’m not totally sure if it’s a “fancast” or if it would qualify under Best Dramatic Presentation – Long Form. (If anyone has expertise in this area, feel free to clarify in the comments.)

And that, as they say, is that! Unless I’ve forgotten something, which is entirely possible.

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One thought on “2018 Awards Eligibility Post

  1. […] And here is Podcast Producer/Reader Erika Ensign’s 2018 Awards Eligibility post! […]

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